Page:The venture; an annual of art and literature.djvu/15

 divergence is quite sufficient to justify us in asking if there are not many things that are really natural, which really appear early and strong in every normal human being, which are not embodied in any of his after affairs. Whether there are not morbidities which are as fresh and recurrent as the flowers of spring. Whether there are not superstitions whose darkness is as wholesome as the darkness that falls nightly on all living things. Whether we have not treated things essential as portents; whether we have not seen the sun as a meteor, a star of ill-luck.

It would at least appear that we tend to become separated from what is really natural, by the fact that we always talk about those people who are really natural as if they were goblins. There are three classes of people for instance, who are in a greater or less degree elemental: children, poor people, and to some extent, and in a darker and more terrible manner, women. The reason why men have from the beginning of literature talked about women as if they were more or less mad, is simply because women are natural, and men, with their formalities and social theories, are very artificial. It is the same with children; children are simply human beings who are allowed to do what everyone else really desires to do, as for instance, to fly kites, or when seriously wronged to emit prolonged screams for several minutes. So again, the poor man is simply a person who expends upon treating himself and his friends in public houses about the same proportion of his income as richer people spend on dinners or hansom cabs, that