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 afterwards conducted the concerts in Bath for twelve years. Ashe was an original member of the London Philharmonic Society, being their only flute in 1813, and played there in several Chamber pieces in 1815-16. He was nominated a Professor in the Royal Academy on its foundation in 1822; but returned to Dublin, where he was residing at the time of his death. Ashe was a remarkably healthy man, and used to boast that in his whole life he had only spent a single guinea in doctor's fees. He was one of the first to adopt the six-keyed flute, and is said to have possessed a full, rich tone and much taste and judgment.

Probably the most striking flautist that England ever produced was Charles Nicholson (1795-1837), born in Liverpool, the son of a flute-player. He was practically self-taught. A handsome man of commanding stature and endowed with great muscular power of chest and lip, Nicholson's popularity in England was absolutely unparalleled. He had more applicants for lessons at a guinea an hour than he could attend to. He played in the orchestra of Drury Lane, at the Italian opera, and the Philharmonic Concerts (1816-36). His style was the very antithesis of the French school, and he was by no means so highly thought of on the Continent. Fetis says he was inferior to Tulou in elegance and to Drouet in brilliant execution. He had a very peculiar, strong reedy tonesomething between the oboe and clarinetgrand, but so hard as to be almost metallic. His lower notes were specially powerful and "thick," and resembled