Page:The rising son, or, The antecedents and advancement of the colored race (IA risingsonthe00browrich).pdf/480

 great city, and every one admires the genius of the artist.

The highest art is that which rises above the slavish copying of nature, without sinking back again into a more slavish conventionalism. All the forms of such art are intensely simple and natural, but through the natural, the spiritual speaks. The saintly glory shines through the features of its saints, and does not gather in a ring around their heads. It speaks a language all can understand, and has no jargon of its own. It needs no initiation before we can understand its mysteries, excepting that of the pure heart and the awakened mind. It represents nature, but in representing, it interprets her. It shows us nothing but reality, but in the real, it mirrors the invisible ideal.

A statue is a realized emotion, or a thought in stone—not an embodied dream. A picture is a painted poem—not a romance in oil. Working together with nature, such art rises to something higher than nature is, becomes the priestess of her temple, and represents to more prosaic souls that which only the poet sees. The truly poetical mind of Edmonia Lewis shows itself in all her works, and exhibits to the critic the genius of the artist.

ROBERT PURVIS.

Robert Purvis was born in Charleston, South Carolina, but had the advantages of a New England collegiate education. He early embraced the principles of freedom as advocated by William Lloyd Garrison, and