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 tearing to pieces any project, good or bad, presented by others.

As he prided himself on being a liberal, upon being asked what he thought of the Indians he would answer, like one conferring a great favor, that they were fitted for manual labor and the imitative arts (meaning thereby music, painting, and sculpture), adding his old postscript that to know them one must have resided many, many years in the country. Yet when he heard of any one of them excelling in something that was not manual labor or an imitative art—in chemistry, medicine, or philosophy, for example—he would exclaim: "Ah, he promises fairly, fairly well, he's not a fool!" and feel sure that a great deal of Spanish blood must flow in the veins of such an Indian. If unable to discover any in spite of his good intentions, he then sought a Japanese origin, for it was at that time the fashion began of attributing to the Japanese or the Arabs whatever good the Filipinos might have in them. For him the native songs were Arabic music, as was also the alphabet of the ancient Filipinos—he was certain of this, although he did not know Arabic nor had he ever seen that alphabet.

"Arabic, the purest Arabic," he said to Ben-Zayb in a tone that admitted no reply. "At best, Chinese!"

Then he would add, with a significant wink: "Nothing can be, nothing ought to be, original with the Indians, you understand! I like them greatly, but they must n't be allowed to pride themselves upon anything, for then they would take heart and turn into a lot of wretches."

At other times he would say: "I love the Indians fondly, I've constituted myself their father and defender, but it's necessary to keep everything in its proper place. Some were born to command and others to serve—plainly, that is a truism which can't be uttered very loudly, but it can be put into practise without many words. For look, the trick depends upon trifles. When you wish to reduce a people to subjection, assure it that it is in subjection. The