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 day, while the inquisitive sharpened their eyes to get a glimpse of the shape and size of the young ladies' feet as they got out of the carriages; now it was a student who came out of the door with devotion still shining in his eyes, for he had passed through the church to beg the Virgin’s help in understanding his lesson and to see if his sweetheart was there, to exchange a few glances with her and go on to his class with the recollection of her loving eyes.

Soon there was noticed some movement in the groups, a certain air of expectancy, while Isagani paused and turned pale. A carriage drawn by a pair of well-known white horses had stopped at the door. It was that of Paulita Gomez, and she had already jumped down, light as a bird, without giving the rascals time to see her foot. With a bewitching whirl of her body and a sweep of her hand she arranged the folds of her skirt, shot a rapid and apparently careless glance toward Isagani, spoke to him and smiled. Doña Victorina descended in her turn, gazed over her spectacles, saw Juanito Pelaez, smiled, and bowed to him affably.

Isagani, flushed with excitement, returned a timid salute, while Juanito bowed profoundly, took off his hat, and made the same gesture as the celebrated clown and caricaturist Panza when he received applause.

"Heavens, what a girl!" exclaimed one of the students, starting forward. "Tell the professor that I'm seriously ill." So Tadeo, as this invalid youth was known, entered the church to follow the girl.

Tadeo went to the University every day to ask if the classes would he held and each time seemed to be more and more astonished that they would. lie had a fixed idea of a latent and eternal holiday, and expected it to come any day. So each morning, after vainly proposing that they play truant, he would go away alleging important business, an appointment, or illness, just at the very moment when his companions were going to their classes. But by some occult, thaumaturgic art Tadeo passed the examinations, was