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Rh From that instant he was master of himself, This transition was rendered easy because he had just decided that he would never look upon Madamoiselle de la Mole as a woman after his own taste. Since the seminary he had the lowest opinion of men, and was not to be easily intimidated by them. He would have enjoyed all his self-possession if the dining-room had been furnished with less magnificence. It was, as a matter of fact, two mirrors each eight feet high in which he would look from time to time at the man who was speaking to him about Horace, which continued to impress him. His phrases were not too long for a provincial, he had fine eyes whose brilliancy was doubled by his quavering timidity, or by his happy bashfulness when he had given a good answer. They found him pleasant. This kind of examination gave a little interest to a solemn dinner. The marquis signed to Julien's questioner to press him sharply. "Can he possibly know something?" he thought.

Julien answered and thought out new ideas. He lost sufficient of his nervousness, not indeed to exhibit any wit, for that is impossible for any one ignorant of the special language which is used in Paris, but to show himself possessed of ideas which, though presented out of place and ungracefully, were yet original. They saw that he knew Latin perfectly.

Julien's adversary was a member of the Academy Inscriptions who chanced to know Latin. He found Julien a very good humanist, was not frightened of making him feel uncomfortable, and really tried to embarrass him. In the heat of the controversy Julien eventually forgot the magnificent furniture of the dining-room. He managed to expound theories concerning the Latin poets which his questioner had never read of anywhere. Like an honest man, he gave the young secretary all due credit for them. As luck would have it, they started a discussion on the question of whether Horace was poor or rich, a good humoured and careless voluptuary who made verses to amuse himself, like Chapelle the friend of Molière and de la Fontaine, or a poor devil of a poet laureate who wrote odes for the king's birthday like Southey, the accuser of Lord Byron. They talked about the state of society under Augustus and under George IV. At both periods the aristocracy was all-powerful, but, while at Rome it was despoiled of its power by Maecenas who was only a simple knight, it had