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 he encountered his Sovereign in knee breeches, silk stockings, shoe buckles and other regalia.

Competent judges consider it an excellent likeness, and of course quite unexceptionable as a work of art. It is the portrait of a happily endowed Englishman in his manly prime, to which the nation at large is able to refer between the hours of ten and four, Fridays excepted.

Eton, Balliol, diplomacy, private means, together with various places of emolument under the Crown, had each a share in raising Shelmerdine of Potterhanworth to his elevation. A first baron certainly, but not a mushroom growth. The honors of a grateful nation had come to him mainly because he had not been able to avoid them. From early youth he had been ranged with those who always do the right thing at the right time in the right way. He had always hit the bull's-eye so exactly in the centre that public regard had had to strive to keep pace with his progress.

Up till the age of one-and-thirty, Shelmerdine—not then of Potterhanworth—had like humbler mortals just a sporting chance of getting off the target. But at the age of thirty-one he married. By that judicious action he forfeited any little chance he may have had of dying an obscure, private individual.

Sociologists differ as to what is the most portentous phenomenon of the age in which we dwell, but there is