Page:The portrait of Mr. W. H (IA portraitofmrwh01wild).pdf/83

 the spirit of these great poems, so intimately connected with the philosophy and the art of their time. It is no doubt true that to be filled with an absorbing passion is to surrender the security of one’s lover life, and yet in such surrender there may be gain, certainly there was for Shakespeare. When Pico della Mirandola crossed the threshold of the villa of Careggi, and stood before Marsilio Ficino in all the grace and comeliness of his wonderful youth, the aged scholar seemed to see in him the realisation of the Greek ideal, and determined to devote his remaining years to the translation of Plotinus, that new Plato, in whom, as Mr Pater reminds us, “the mystical element in the Platonic philosophy had been worked out to the utmost limit of vision and ecstasy.” A romantic friendship with a young Roman of his day initiated Winckelmann into the secret of Greek art, taught him the mystery of its beauty and the meaning of its form. In Willie Hughes, Shakespeare found not merely a most delicate instrument for the presentation of his art, but the visible incarnation of his idea of beauty, and it is not too much to say that to this young