Page:The part taken by women in American history.djvu/799

758 Born at Fall River, Massachusetts, August 21, 1861; daughter of Frederic W. and Mary W. Macomber; studied at the Boston Museum of Fine Arts and under Dunning, Duveneck, Crowningshield and Grundmann. Exhibited at The Hague, Carnegie Institute, Chicago Art Institute, Chicago World's Fair, St Louis Exposition; National Academy of Design, Society of American Artists, Pennsylvania Academy of Fine Arts, Boston Art Club, Copley Society; received Dodge Prize at the National Academy of Design, honorable mention at the Carnegie Institute, medal at Massachusetts C. M. Association, 1895; medal at Atlanta Exposition, 1895; is represented in the prominent collection at the Boston Museum of Fine Arts. Her work, accompanied by articles, has been reproduced in the New England Magazine and other current periodicals. Member of the Copley Society, Boston.

Born in Louisiana; daughter of Francis Augustus Carl, Ph.D., LL.D., and Mary (Breadon) Carl. She was graduated from the State College, of Tennessee, at Memphis, with the degree of M.A., and afterward studied art in Paris under Bouguereau, Jean Paul Laurens and Gustave Courtois. She first exhibited in the Paris Societe des Artists Francais, in 1887, received honorable mention from that society in 1890, and was made an associate of the Societe Nationale des Beaux Arts, Paris, in 1894. Miss Carl is a painter of portraits and figure paintings, and has painted many notable subjects, among whom was the late Empress Dowager of China. The Empress Dowager conferred upon her the orders of officer of the Double Dragon and the Manchu Flaming Pearl. She wrote and illustrated an account of her life in the Imperial Palace, of China, which was published under the title of "With the Empress Dowager of China." Miss Carl is a member of the International Society of Women Artists, London; Societe Nationale des Beaux Arts, Paris, and of the Lyceum Clubs, of London, and Paris.

Mrs. Bellamy Storer was born in Cincinnati, in March, 1849. She studied especially music and drawing when she was a child, and is greatly interested in everything that could help to educate and enlighten other people in both these arts. The Cincinnati musical festivals grew out of a conversation with Mrs. Storer's friend, Theodore Thomas, when he was visiting her in Cincinnati, ii. 1872. She asked him why they might not unite together all their choral societies, and he bring his orchestra and create a great festival organization. He liked the idea very much and under his great leadership they had musical festivals in Cincinnati which have never been surpassed by any in England or Continental Europe. In 1876 she was much interested in the exhibition of pottery and porcelain at the Philadelphia Centennial Exposition, and became anxious to have a place of her own to make experiments in native clays. After working for a while in a pottery where granite ware was made she started, in 1879, a pottery of her own in an old schoolhouse