Page:The olive fairy book.djvu/15

 PREFACE

years ago my friend and publisher, Mr. Charles Longman, presented me with Le Cabinet des Fées (‘The Fairy Cabinet’). This work almost requires a swinging bookcase for its accommodation, like the Encyclopædia Britannica, and in a revolving bookcase I bestowed the volumes. Circumstances of an intimately domestic character, ‘not wholly unconnected,’ as Mr. Micawber might have said, with the narrowness of my study (in which it is impossible to ‘swing a cat’), prevent the revolving bookcase from revolving at this moment. I can see, however, that the Fairy Cabinet contains at least forty volumes, and I think there are about sixty in all. This great plenitude of fairy tales from all quarters presents legends of fairies, witches, geni or Djinn, monsters, dragons, wicked stepmothers, princesses pretty or plain, princes lucky or unlucky, giants, dwarfs, and enchantments. The stories begin with those which children like best—the old Blue Beard, Puss in Boots, Hop o’ my Thumb, Little Red Riding Hood, The Sleeping Beauty, and Toads and Pearls. These were first collected, written, and printed at Paris in 1697. The author was Monsieur Charles Perrault, a famous personage in a great perruque, who in his day wrote large volumes now unread. He never dreamed that he was to be remembered mainly by the shabby