Page:The nature and elements of poetry, Stedman, 1892.djvu/336

306 Calderon, 79, 100, 101.

Callimachus, Elegiacs on Heracleitus, 89.

Camoëns, 79, 101, 112, 244.

Campbell, 266.

Canning, G., 94.

Carlyle, on inspiration, 23, 24; cited, 196; and see 58.

Carr, J. W. C., cited, 68.

Catholicity, 220.

Catullus, 92, 155, 169.

Cavalier Poets, 168.

"Cavalier's Song," Motherwell, 266.

Cellini, B., artist, 167, 247.

Cenci, The, Shelley, 69, 124.

Cervantes, 79, 101, 191.

Chapman, G., on poetry, 18.

Characterization, dramatic, 105; the novelist, 237.

Charm, of the perfect lyric, 179-182; of Evanescence, 181, 185.

Chatterton, 250, 255.

Chaucer, as a poet of the beautiful, 170; his imagination, 249; and see 115, 131, 215.

"Chevy Chase," 258.

Childe Harold, Byron, 121.

"Childe Roland," Browning, 109, 272.

"Children in the Wood, The," quoted, 194.

Chinese literature, 81.

Christabel, Coleridge, 125, 238, 248.

Christendom, Poetry of, its characteristics, 79; transfer of the Oriental spirit, 82; its epic masterpieces, 112-118; its poetry of Faith, 291; and see 243.

Christendom, The Muse of. See A. Dürer.

Christianity, contrasted with Paganism, 139-143; effect of its introspection and sympathy upon poetry, 139 et seq.; "The Muse of Christendom," 140, 141; its sublime seriousness, 143; and see 112 et seq.

Church, Christian, the mediæval, 140.

Cicero, believer in inspiration, 22.

Citation of Shakespeare, The, Landor, 125.

Clairon, actress, 282.

Classicism, in France, 18, 120; tribute to Prof. Gildersleeve, 100; pseudo, 144, 199, 200; of Queen Anne's time, 213; modern, 225; and see The Academic and The Antique.

Classification of the poetic Orders, 76.

Clearness of the artistic vision, 232.

Cleopatra, Haggard and Lang, 89.

Cloister and the Hearth, The, Reade, 137.

Clouds, The, Aristophanes, 190.

Clough, A. H., and Arnold's "Thyrsis," 90; his unrest, 294; zest of, 295; and see 135, 290.

Coan, T. M., on "the passion of Wordsworth," 263.

Coleridge, H., quoted, 256.

Coleridge, S. T., his instinct for beauty, 20; concord with Wordsworth as to poetry, imagination, science, 20, 28; genius of, 125; how moved by Nature, 202;