Page:The nature and elements of poetry, Stedman, 1892.djvu/299

Rh passion "is the highest theme. These are the topics of Homer, Dante, Milton, Goethe, Hugo. Dante, while perceiving by the smiling of the stars, and by the increasing beauty and divineness of Beatrice, that she is translating him to the highest spheres, still clings to his love for the woman. Its blood-red strand connects his Paradise with earth. The Faust-Margaret legend is human to the radiant end. Rossetti's "The Blessed Damozel" idealizes the naïve materialism of The human element. the cathedral ages. The motive of that prismatic ballad is the deathless human passion of the sainted maiden. Her arms make warm the bar of Heaven on which she leans, still mortal in her immortality, waiting for the soul of her lover. Such is the poetic instinct that no creature can be finer in quality, however advanced in power, than man himself; that the emotions of his soul are of the uttermost account. Rossetti was ever an impassioned poet, in whom were blended Northern and Italian types. His series of sonnets, "The House of Life," quivers with feeling. Christina Rossetti, his sister, holds her eminence not by the variety and extent of her verse, but for its emotion deep inwrought. Tennyson's career indicates '''From youth to age. Cp. "Victorian Poets": p. 422.''' that the line of advance for a poet is that of greater intensity; nevertheless, he has furnished a typical example of the national repugnance to throwing wide the gates of that deep-set but rugged castle, an English heart. His sense