Page:The marble faun; or, The romance of Monte Beni (IA marblefaunorroma01hawtrich).pdf/171

 CHAPTER XV.

the evening after Miriam's visit to Kenyon's studio, there was an assemblage composed almost entirely of Anglo-Saxons, and chiefly of American artists, with a sprinkling of their English brethren; and some few of the tourists who still lingered in Rome, now that Holy Week was past. Miriam, Hilda, and the sculptor, were all three present, and, with them, Donatello, whose life was so far turned from its natural bent, that, like a pet spaniel, he followed his beloved mistress wherever he could gain admittance.

The place of meeting was in the palatial, but somewhat faded and gloomy apartment of an eminent member of the æsthetic body. It was no more formal an occasion than one of those weekly receptions, common among the foreign residents of Rome, at which pleasant people—or disagreeable ones, as the case may be—encounter one another with little ceremony.

If anywise interested in art, a man must be difficult to please who cannot find fit companionship among a crowd of persons, whose ideas and pursuits all tend towards the general purpose of enlarging the world's stock of beautiful productions.