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 female effendi in the mysteries of oriental poetry, judiciously selecting such pieces as treated of love. In conversation with this gentleman she learned with surprise that the Persian Tales, which at that time were in Europe supposed to be forgeries, and consequently of no authority or value, except as novels, were genuine oriental compositions, like the Arabian Nights, and therefore to be regarded as admirable illustrations of manners.

Leaving Belgrade and the agreeable effendi, they proceeded through the woody wilds of Servia, where the scanty peasantry were ground to the earth by oppression, to Nissa, the ancient capital; and passing thence into Bulgaria, our fair traveller was amused at Sophia with one of those little incidents which, from her naïve mode of describing them, constitute the principal charm of her travels. This was a visit to the baths. Arriving about ten o'clock in the morning, she found the place already crowded with women, and having cast a glance or two at the form and structure of the edifice, which consisted of fine apartments covered with domes, floored with marble, and adorned with a low divan of the same materials, she proceeded into the principal bathing-room, where there were about two hundred ladies, in the state of nature, seated upon cushions or rich carpets, with their slaves standing behind them, equally unencumbered with dress. The behaviour of both mistresses and maids, however, was characterized by equal modesty. But their beauty and the exquisite symmetry of their forms, which, in the opinion of Lady Mary, at least equalled the most perfect creations of Guido or Titian, defied the powers of language, and compelled the astonished observer, in default of accurate expressions, to have recourse to poetical comparisons, and descriptions of the effects produced upon the mind. It is well known that Homer, despairing of presenting his hearers or readers with a complete