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 One day, several months after my return to England, I quitted London to visit my sister. Her society was my chief solace and delight; and my spirits always rose at the expectation of seeing her. Her conversation was full of pointed remark and discernment; in her pleasant alcove, redolent with sweetest flowers, adorned by magnificent casts, antique vases, and copies of the finest pictures of Raphael, Correggio, and Claude, painted by herself, I fancied myself in a fairy retreat untainted by and inaccessible to the noisy contentions of politicians and the frivolous pursuits of fashion. On this occasion, my sister was not alone; nor could I fail to recognise her companion: it was Idris, the till now unseen object of my mad idolatry.

In what fitting terms of wonder and delight, in what choice expression and soft flow of language, can I usher in the loveliest, wisest, best? How in poor assemblage of words convey the