Page:The king's English (IA kingsenglish00fowlrich).pdf/228

214 name for prefacing fallacies and for begging questions; it lacks the delicious candour of its feminine equivalent–'Kindly allow me to know best'–, but appeals perhaps not less irresistibly to the generosity of an opponent. Apart from this, there is a correct and an incorrect use of the words. It is of course the conclusion drawn from certain premisses that stands to reason; the premisses do not stand to reason; they are assumed to be a matter of common knowledge, and ought to be distinguished from the conclusion by if or a causal participle, not co-ordinated with it by and.

Just as 'stands to reason' is not an argument, but an invitation to believe, 'the worthy Major' not amusing, but an invitation to smile, so the sentimental or sensational novelist has his special vocabulary of the impressive, the tender, the tragic, and the horrible. One or two of the more obvious catch-phrases may be quoted. In the 'strong man' of fiction the reader may have observed a growing tendency to 'sob like a child'; the right-minded hero to whom temptation comes decides, with archaic rectitude, that he 'will not do this thing ' ; the villain, taught by incessant ridicule to abstain from 'muffled curses', finds a vent in 'discordant laughs, that somehow jarred unpleasantly upon my nerves'; this laugh, mutatis mutandis ('cruel little laugh, that somehow...'), he shares with the heroine, who for her exclusive