Page:The king's English (IA kingsenglish00fowlrich).pdf/224

210 popular writers on subjects that demand lucidity; and there is the further difference, that rhetorical repetition often dictates the whole structure of the sentence, whereas the nonrhetorical, in its commonest form, is merely the completion of a sentence that need not have been completed. But in practice the two things become inseparable, and we shall treat them together; only pointing out to the novice that of the two motives, impressiveness and lucidity, the latter is far the more likely to seem justifiable in the reader's eyes.

We shall illustrate both the good and bad points of repetition almost exclusively from a few pages of Bagehot, one of its most successful exponents, in whom nevertheless it degenerates into mannerism. To a writer who has so much to say that is worth hearing, almost anything can be forgiven that makes for clearness; and in him clearness, vigour, and a certain pleasant rapidity, all result from the free use of repetition. It will be seen that his repetitions are not of the kind properly called rhetorical; it is the spontaneous fullness of a writer who, having a clear point to make, is determined to make it clearly, elegance or no elegance. Yet the growth of mannerism is easily seen in him; the justifiable repetitions are too frequent, and he has some that do not seem justifiable.