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could not but come amiss to him, and it is in such delightful fancies in this journal as the Façon de voir la vie en Rose—Le Dessinateur—that we see him at

his best. A draughtsman of elegant appearance, surrounded with bric-a-brac, is here seen in his censer-perfumed studio, reclining on an enormous rose-coloured cushion ; his cigarette is in one hand, and the crayon which is limning a female form in the other. Two adoring little models watch and guard him; while a procession of respectful art