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one he cut on the wood, for the publisher Sagot. But itis Vallotton's portraits of contemporary celebrities that entitle him most to lasting fame. Some of these have appeared in the French journals, as a magnificent set of powerful woodcuts, done in a large style and on a large scale.

A fine example of this work was published in The Studio in 1899, in a portrait of Puvis de Chavannes, which Vallotton drew and cut on the wood specially for that journal.

A very subtle and delicately coloured reproduction of Vallotton's work in colour appeared also in The Studio a few years back; and an excellently rendered landscape woodcut by him appeared in the volume that so fully indicated the claims of modern wood engraving, namely, "L'image."