Page:The history of silk, cotton, linen, wool, and other fibrous substances 2.djvu/129

 made in the Indian fashion, but with this difference, that they are limited to four colors, and demonstrate the greatest antiquity by the primitive simplicity of their colors and design. Others are CRAPES and GAUZES, against the luxury of whose transparent tissues, the fathers of the church at that time so perseveringly fulminated their censures. The rest consist of muslins and China-crape of exquisite beauty. The components of the majority of these tissues are of goats' or camels' hair of exceeding delicacy and fineness. Like the manufactured stuffs of ancient Egypt, painted on the walls of its palaces and tombs, or substantially preserved amidst the envelopes of mummies, the designs are limited to four colors, which are in fact the four sacred ones of China, India, Egypt, and the Hebrew Tabernacle. Nevertheless, the Egyptian designs, identical with those of India, are many of them of exquisite beauty. The consummate skill of the silk and cotton manufacturers of ancient Egypt, 4000 years ago, the beauty and richness of their fabrics—the little alteration which has taken place in the economy or machinery of the factories, as well as in their product, has been recently demonstrated in the great work of Champollion. All the details of the silk and cotton factories of Egypt, under the Pharaohs of the 18th dynasty (which then monopolized the commerce of the world, and sent a colony of weavers, from the overburthened population of Lower Egypt, to found Athens, and the subsequent civilization of Europe), are laid open with vivid accuracy in that splendid work, and brought with all their startling analogies before the eye of the modern reader by drawings from the temples, palaces, and tombs which it contains. It proves, indeed, that there is "nothing new under the sun."

That the Egyptians excelled in science and art is evident from their monuments, paintings, and sculptures, whereon they are depicted. It is also proved by Scripture, which speaks of the "wisdom of Egypt" with reference to art; and from the fact that Egypt was deemed by other nations the fountain of arts and sciences, and that their philosophers were wont to re-*