Page:The history of Witchcraft and demonology.djvu/23

 through the air. This has often been pictorially impressed on his imagination, not merely by woodcuts and illustrations traditionally presented in books, but by the brush of great painters such as Queverdo’s Le Départ au Sabbat, Le Départ pour le Sabbat of David Teniers, and Goya’s midnight fantasies. The famous Australian artist, Norman Lindsay, has a picture To The Sabbat where witches are depicted wildly rushing through the air on the backs of grotesque pigs and hideous goats. Shakespeare, too, elaborated the idea, and “Hover through the fog and filthy air” has impressed itself upon the English imagination. But to descend from the airy realms of painting and poetry to the hard ground of actuality. Throughout the whole of the records there are very few instances when a witness definitely asserted that he had seen a witch carried through the air mounted upon a broom or stick of any kind, and on every occasion there is patent and obvious exaggeration to secure an effect. Sometimes the witches themselves boasted of this means of transport to impress their hearers. Boguet records that Claudine Boban, a young girl whose head was turned with pathological vanity, obviously a monomaniac who must at all costs occupy the centre of the stage and be the cynosure of public attention, confessed that she had been to the Sabbat, and this was undoubtedly the case; but to walk or ride on horseback to the Sabbat were far too ordinary methods of locomotion, melodrama and the marvellous must find their place in her account and so she alleged: “that both she and her mother used to mount on a broom, and so making their exit by the chimney in this fashion they flew through the air to the Sabbat.” Julian Cox (1664) said that one evening when she was in the fields about a mile away from the house “there came riding towards her three persons upon three Broom-staves, born up about a yard and a half from the ground.” There is obvious exaggeration here; she saw two men and one woman bestriding brooms and leaping high a in the air. They were, in fact, performing a magic rite, a figure of a dance. So it is recorded of the Arab crones that “In the time of the Munkidh the witches rode about naked on a stick between the graves of the cemetery of Shaizar.” Nobody can refuse to believe that the witches bestrode sticks and poles and in their ritual capered to and fro in this manner,