Page:The great Galeoto; Folly or saintliness; two plays done from the verse of José Echegaray into English prose by Hannah Lynch (IA greatgaleotofoll00echerich).djvu/21

 young fellow, more fiery and blusterous than the implacably dignified Rodrigo. He loves, and is beloved by, Laura, the ward of his parents. An unconscious vein of humour runs through the pompous scene, in which he is found by these latter on his knees before the girl. Don Rodrigo is shocked at such indelicate boldness just like the amusing Marquis in The Sorcerer. 'They love each other,' Doña Violante expostulates. 'It is necessary to be severe with youth,' the Don replies, repressing his indignation at the bidding of his wife. Then he proceeds to point out to Fernando that henceforth Laura's honour must be as dear to him as his own, and after an eulogy on the virtue of the ladies of his house, he explains that if the stain of dishonour dimmed the splendour of the name of Moncada in a woman, it would be the duty of her husband, father, or brother to kill her on the spot. This is not lively talk for Doña Violante, but life was not a lively matter for women in those dull days—especially in Spain, where it still is the reverse of exciting for them. The young man's ardent youth puzzles Don Rodrigo, it is so unlike his own, and these perplexities are disturbed by the titled blackguard's sudden claim to Laura's hand—whom he describes as a mixture of Turkish houri and Christian virgin. Thereupon ensues a painful scene between the victim and the wrong-doer. The titled blackguard shows himself susceptible of the feelings of a gentleman, and deplores the sin of his rash youth—does he also not wear black velvet and a plumed cap? However, he has no mind to renounce his claim to Laura's hand though Doña Violante kneel to him, and Fernando xvii