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 ses the power, liberty, possibility, or necessity, of the being, action, or passion: as, "I can walk; he may ride; we must go."

The Subjunctive mood is that form of the verb, which represents the being, action, or passion, as conditional, doubtful, and contingent: as, "If thou go, see that thou offend not."--"See thou do it not."--Rev., xix, 10.

The Imperative mood is that form of the verb which is used in commanding, exhorting, entreating, or permitting: as, "Depart thou."--"Be comforted."--"Forgive me."--"Go in peace."

OBSERVATIONS.

OBS. 1.--The Infinitive mood is so called in opposition to the other moods, in which the verb is said to be finite. In all the other moods, the verb has a strict connexion, and necessary agreement in person and number, with some subject or nominative, expressed or understood; but the infinitive is the mere verb, without any such agreement, and has no power of completing sense with a noun. In the nature of things, however, all being, action, or passion, not contemplated abstractly as a thing, belongs to something that is, or acts, or is acted upon. Accordingly infinitives have, in most instances, a reference to some subject of this kind; though their grammatical dependence connects them more frequently with some other term. The infinitive mood, in English, is distinguished by the preposition to; which, with a few exceptions, immediately precedes it, and may be said to govern it. In dictionaries, and grammars, to is often used as a mere index, to distinguish verbs from the other parts of speech. But this little word has no more claim to be ranked as a part of the verb, than has the conjunction if, which is the sign of the subjunctive. It is the nature of a preposition, to show the relation of different things, thoughts, or words, to each other; and this "sign of the infinitive" may well be pursued separately as a preposition, since in most instances it manifestly shows the relation between the infinitive verb and some other term. Besides, by most of our grammarians, the present tense of the infinitive mood is declared to be the radical form of the verb; but this doctrine must be plainly untrue, upon the supposition that this tense is a compound.

OBS. 2.--The Indicative mood is so called because its chief use is, to indicate, or declare positively, whatever one wishes to say. It is that form of the verb, which we always employ when we affirm or deny any thing in a direct and independent manner. It is more frequently used, and has a greater number of tenses, than any other mood; and is also, in our language, the only one in which the principal verb is varied in termination. It is not, however, on all occasions, confined to its primary use; else it would be simply and only declarative. But we use it sometimes interrogatively, sometimes conditionally; and each of these uses is different from a simple declaration. Indeed, the difference between a question and an assertion is practically very great. Hence some of the old grammarians made the form of inquiry a separate mood, which they called the Interrogative Mood. But, as these different expressions are distinguished, not by any difference of form in the verb itself, but merely by a different order, choice, or delivery of the words, it has been found most convenient in practice, to treat them as one mood susceptible of different senses. So, in every conditional sentence, the prot'asis, or condition, differs considerably from the apod'osis, or principal clause, even where both are expressed as facts. Hence some of our modern grammarians, by the help of a few connectives, absurdly merge a great multitude of Indicative or Potential expressions in what they call the Subjunctive Mood. But here again it is better to refer still to the Indicative or Potential mood whatsoever has any proper sign of such mood, even though it occur in a dependent clause.

OBS. 3.--The Potential mood is so called because the leading idea expressed by it, is that of the power of performing some action. This mood is known by the signs may, can, must, might, could, would, and should. Some of these auxiliaries convey other ideas than that of power in the agent; but there is no occasion to explain them severally here. The potential mood, like the indicative, may be used in asking a question; as, "Must I budge? must I observe you? must I stand and crouch under your testy humour?"--Shakspeare. No question can be asked in any other mood than these two. By some grammarians, the potential mood has been included in the subjunctive, because its meaning is often expressed in Latin by what in that language is called the subjunctive. By others, it has been entirely rejected, because all its tenses are compound, and it has been thought the words could as well be parsed separately. Neither of these opinions is sufficiently prevalent, or sufficiently plausible, to deserve a laboured refutation. On the other hand, James White, in his Essay on the English Verb, (London, 1761,) divided this mood into the following five: "the Elective," denoted by may or might; "the Potential," by can or could; "the Determinative" by would; "the Obligative," by should; and "the Compulsive," by must. Such a distribution is needlessly minute. Most of these can as well be spared as those other "moods, Interrogative, Optative, Promissive, Hortative, Precative, &c.", which Murray mentions only to reject. See his Octavo Gram., p. 68.

OBS. 4.--The Subjunctive mood is so called because it is always subjoined to an other verb. It usually denotes some doubtful contingency, or some supposition contrary to fact. The manner of its dependence is commonly denoted by one of the following conjunctions; ''if, that, though,