Page:The four horsemen of the Apocalypse - (Los cuatro jinetes de Apocalipsis) (IA cu31924014386738).djvu/455

 In a hollow, they came upon several groups of the famed seventy-fives spread about through the woods, hidden by piles of underbrush, like snapping dogs, howling and sticking up their gray muzzles. The great cannon were roaring only at intervals, while the steel pack of hounds were yelping incessantly without the slightest break in their noisy wrath—like the endless tearing of a piece of cloth. The pieces were many, the volleys dizzying, and the shots uniting in one prolonged shriek, as a series of dots unite to form a single line.

The chiefs, stimulated by the din, were giving their orders in yells, and waving their arms from behind the pieces. The cannon were sliding over the motionless gun carriages, advancing and receding like automatic pistols. Each charge dropped an empty shell, and introduced a fresh one into the smoking chamber.

Behind the battery, the air was racking in furious waves. With every shot, Lacour and his companion received a blow on the breast, the violent contact with an invisible hand, pushing them backward and forward. They had to adjust their breathing to the rhythm of the concussions. During the hundredth part of a second, between the passing of one aerial wave and the advance of the next, their chests felt the agony of vacuum. Desnoyers admired the baying of those gray dogs. He knew well their bite, extending across many kilometres. Now they were fresh and at home in their own kennels.

To Lacour it seemed as though the rows of cannon were chanting a measure, monotonous and fiercely impassioned that must be the martial hymn of the humanity of prehistoric times. This music of dry, deafening, delirious notes was awakening in the two what is sleeping in the depths of every soul—the savagery of a remote ancestry. The air was hot with acrid odors, pungent and brutishly intoxicating. The perfumes from the explo-