Page:The four horsemen of the Apocalypse - (Los cuatro jinetes de Apocalipsis) (IA cu31924014386738).djvu/425



opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

An old gentleman was greeting him with an amiable smile.

"I am the father of Julio."

And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control. He had heard so much about Don Marcelo and his bad temper, that he was very uncomfortable at this unexpected appearance in the studio.… What could the fearful man want?

His tranquillity was restored after a furtive, appraising glance. His friend's father had aged greatly since the beginning of the war. He no longer had that air of tenacity and ill-humor that had made him unapproachable. His eyes were sparkling with childish glee; his hands were trembling slightly, and his back was bent. Argensola, who had always dodged him in the street and had thrilled with fear when sneaking up the stairway in the avenue home, now felt a sudden confidence. The transformed old man was beaming on him like a comrade, and making excuses to justify his visit. 401