Page:The four horsemen of the Apocalypse - (Los cuatro jinetes de Apocalipsis) (IA cu31924014386738).djvu/350

 for whom Don Marcelo felt a vague attraction. "Although a German, he appears a good sort," meditated the old man, eyeing him carefully. In times of peace, he must have been stout, but now he showed the loose and flaccid exterior of one who has just lost much in weight. Desnoyers surmised that the man had formerly lived in tranquil and vulgar sensuousness, in a middle-class happiness suddenly cut short by war.

"What a life, Monsieur!" the officer rambled on. "May God punish well those who have provoked this catastrophe!"

The Frenchman was almost affected. This man represented the Germany that he had many times imagined, a sweet and tranquil Germany composed of burghers, a little heavy and slow perhaps, but atoning for their natural uncouthness by an innocent and poetic sentimentalism. This Blumhardt whom his companions called Bataillon-Kommandeur, was undoubtedly the good father of a large family. He fancied him walking with his wife and children under the lindens of a provincial square, all listening with religious unction to the melodies played by a military band. Then he saw him in the beer gardens with his friends, discussing metaphysical problems between business conversations. He was a man from old Germany, a character from a romance by Goethe. Perhaps the glory of the Empire had modified his existence, and instead of going to the beer gardens, he was now accustomed to frequent the officers' casino, while his family maintained a separate existence—separated from the civilians by the superciliousness of military caste; but at heart, he was always the good German, ready to weep copiously before an affecting family scene or a fragment of good music.

Commandant Blumhardt, meanwhile, was thinking of his family living in Cassel.