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BOUT fifteen years ago, in Paris, Charles Péguy, myself, and a few others, used to meet in a little ground-floor shop in the rue de la Sorbonne. We had just founded the "Cahiers de la Quinzaine." Our editorial office was poorly furnished, neat and clean; the walls were lined with books. A photograph was the only ornament. It showed Tolstoy and Gorki standing side by side in the garden at Yasnaya Polyana. How had Péguy got hold of it? I do not know, but he had had several reproductions made, and each of us had on his desk the picture of these two distant comrades. Under their eyes part of Jean Christophe was written.

One of the two men, the veteran apostle, has gone, on the eve of the European catastrophe whose coming he foretold and in which his voice has been so greatly needed. The other, Maxim Gorki, is at his post, and his free-spirited utterances help to console us for Tolstoy's silence.

Gorki has not proved one of those who succumbed to the vertigo of events. Amid the distressing spectacle of the thousands of writers, artists, and thinkers who, within a few days, laid down their role as guides and defenders of the masses, to follow the maddened herds, to drive these herds yet more crazy by their own cries, to hasten the rush into the abyss, Maxim Gorki was one of the rare exceptions, one of those whose reason and whose love of humanity remained unshaken. He dared to speak on