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Rh cruel syllogism, whose premises are obscure but whose conclusion is remorseless. Every one of us, in his time, has been subjected to its sway. No one has better reason to know than myself how terrible a struggle is required to free the spirit from this second nature which tends to stifle the first. The history of these struggles is the history of our contradictions. God be thanked, this war—nay, it is more than a war, this convulsion of mankind—will clear away our doubts, put an end to our hesitations, compel us to choose.

Marcelle Capy has chosen. The strength of her book is to be found in this, that through her Woman's Voice from out the Tumult there breathes the common sense of the French people, which has shaken off the sophisms of ideology and rhetoric. This free vision, living, thrilling, never deceived, is sensitive to every hint of suffering or ridicule. For in the sightless epic which racks the nations of Europe, every type of experience abounds: great exploits and great crimes, sublime acts of devotion and sordid interests, heroes and grotesques. If to laugh be permissible, if it be French to laugh amid the worst trials, how much more justifiable is laughter when it becomes a weapon against hypocrisy, a weapon employed for the vindication of stifled common sense! Never was hypocrisy more widespread and more disastrous than in these days, when in every land it is a mask assumed by force. Hypocrisy, it has been said, is the homage vice pays to virtue. Well and good; but the homage is excessive. Charming comedy, in which instincts, interests, and private revenges take shelter beneath the sacred cloak of patriotism. These Tartufes of heroism, prepared to offer up a splendid holocaust—of others! These poor Orgons, duped and sacrificed, eager to destroy those who would defend them and who seek to enlighten them! What a spectacle for a Molière or a Ben Jonson. Marcelle Capy's book presents us with a fecund collection of these perennial types which teem in our epoch, much as poisonous toadstools of unclassified species teem on rotting wood. Yet the old stumps on which they batten throw out green shoots. We perceive