Page:The cry for justice - an anthology of the literature of social protest. - (IA cryforjusticea00sinc).pdf/48

 From the stokers' quarters presently there came a burst of singing.

"Now let's go back," he ended, "and see how they're getting ready for this."

As we crawled back, the noise increased, and swelled to a roar as we entered. The place was pandemonium. Those groups I had noticed around the bags had been getting out the liquor, and now at eight o'clock in the morning half the crew were already well soused. Some moved restlessly about. One huge bull of a creature with limpid shining eyes stopped suddenly with a puzzled stare, and then leaned back on a bunk and laughed uproariously. From there he lurched over the shoulder of a thin, wiry, sober man who, sitting on the edge of a bunk, was slowly spelling out the words of a newspaper aeroplane story. The big man laughed again and spit, and the thin man jumped half up and snarled.

Louder rose the singing. Half the crew was crowded close around a little red-faced cockney. He was the modern "chanty man." With sweat pouring down his cheeks and the muscles of his neck drawn taut, he was jerking out verse after verse about women. He sang to an old "chanty" tune, one that I remembered well. But he was not singing out under the stars, he was screaming at steel walls down here in the bottom of the ship. And although he kept speeding up his song, the crowd were too drunk to wait for the chorus; their voices kept tumbling in over his, and soon it was only a frenzy of sound, a roar with yells rising out of it. The singers kept pounding each other's backs or waving bottles over their heads. Two bottles smashed together and brought a still higher burst of glee.

"I'm tired!" Joe shouted. "Let's get out!"