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Memoirs of Madame de Remusat. 1802-1808. With a Preface and Votes by her grandson, Paul de Remusat, Senator. Translated from the French by Mrs. Cashel Hoey and John Lillie. 8yo, paper. In three volumes. Volume I. now ready. Price, 50 cents. “It would be easy to multiply quotations from this interesting book, which no one will take up without' reading greedily to the end; but enough has been said to show its importance as illustrating the character and the policy of the most remarkable man of modern times, for appreciating which Madame de Remusat is likely to remain one of the principal authorities."’—London Athenaeum. II.

The Homes of America. With 103 Illustrations on Wood. Edited by Mrs. Martha J. Lamb, author of “The History of the City of Yew York. Quarto. In cloth, extra gilt, price, §6.00; also in full morocco, price, 812.00. “Americans have reason to be proud of this performance, and "The Homes of America' is entitled to sincere respect and a most cordial reception. —Boston Adver¬

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Landscape ir Americap Poetry. Illustrated from Original Drawings by J. Appleton Brown. De¬ scriptive Text by Lucy Larcom. Large 8vo. Price in cloth, extra gilt, $4.00 ; in full morocco, $8.00. “This is a beautiful volume, one of the most exquisite, from cover to cover, that have been prepared for the holidays, and not only adapted to a single holiday season, but fit in itself to make perpetual holiday for those who shall be fortunate enough to possess it."—Boston Courier. IT.

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Picturesque Europe. V ith 63 Exquisite Steel Plates, and nearly 1,000 Original Illustra¬ tions on Wood. From Original Drawings made expressly for this work by Birket Foster, Harry Fenn, J. D. Woodward, P. Skelton, S. Read, W. H. Boot, and others. Edited by Bayard Taylor. “Picturesque Europe'’ is sold only by subscription, and is published in 60 parts, royal quarto, at 50 cents each, and in three volumes, bound in full or half morocco. Price, m half morocco, $4$.00; full morocco. $51.00; morocco, extra gilt, $57.00. “With three completed quarto volumes lying around us. we survey the successive pages and engravings with fresh wonder and delight, as each picture, done with the keenest skill and most delicate taste of the artist, reproduces before the eye some familiar scene, and all the pleasing associations of other years and lands come back to the mind. From personal observation we can certify to the accurate fidelity of the artist, while the letter-press description embodies the fullest and most careful accounts of whatever the pencil has drawn. To the untraveled but cultured mind these vol¬ umes are a perpetual feast. Each picture is a finished work of art, on steel or on wood, Yot one is lightly done, but all are in the best manner of the artists, whose reputation is enhanced by the effort made to illustrate this magnificent pictorial work.'1—New

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