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HE head-piece on page 3 was printed in three of the light tones of color No. 80, and the tail-piece on same page was printed in color No. 64 and two of its light tones; both are excellent examples of the harmony of scale.

The initial B on page 5 was printed in tint No. 163 and black. The initial P on page 11 was printed in a gray tint and black.

The head piece on page 13 was first printed in tint No. 170, then in tint No. 159 and then in color No. 81—a good example of the harmony of relative colors. The initial F on same page was first printed in a pale gold bronze, then in a half-tone red, then in color No. 41, and then in black.

The head-piece on page 22 was printed in color No. 51 and its tint No. 164, the tint being printed first. The initial P on same page was first printed in gold bronze, then in a blue, then in an orange red, and then in black.

The tail-piece on page 32 was printed in color No. 71.

The head-piece on page 33 was first printed in tint No. 152, and then in color No. 35—a rich combination. The initial W on same page was first printed in silver bronze, then in a half-tone bine, then in a half-tone rose-lake, and then in black.

The head-piece on page 38 was first printed in tint No. 176, then in tint No. 169, and then in color No. 73. The initial W on