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 a purplish hue of red and a light green—a strong combination. Fig. 249 is composed of a sage-green and a rose-lake tint. Fig. 250 is composed of a green-gray and a rose-lake tint. Fig. 251 is composed of a light red-brown and a light green-blue.

Plate 34.—Fig. 252 on this plate is composed of a fine bright red and a light green-blue. Fig. 253 is composed of a red-gray and a green-yellow. Fig. 254 is composed of a half-tone purple and a green-yellow. Fig. 255 is composed of the complementaries, blue and orange. Fig. 256 is composed of a half-tone olive and a flesh tint. Fig. 257 is composed of a light blue-green and a flesh tint. Fig. 258 is composed of one of the dark tones of red and a light green-blue.

Plate 35.—Fig. 259 is composed of a light red-brown and a light blue-green. Fig. 260 is composed of a green-yellow and a purple tint. Fig. 261 is composed of a sage-green and a purple tint. Fig. 262 is composed of red and a light green-blue—a very strong combination. Fig. 263 is composed of alight brown and a pearl tint. Fig. 264 is composed of a red tint and a pearl tint. Fig. 265 is composed of a purple-red and a light blue-green.

Plate 36.—Fig. 266 is composed of one of the dark tones of red and a light green — an excellent combination. Fig. 267 is composed of a light brown and a blue tint. Fig. 268 is composed of a gray-orange and a blue tint. Fig. 269 is composed of sea-green and a half-tone rose-lake—a strong combination. Fig. 270 is composed of a light violet and a half-tone yellow. Fig. 271 is composed of a half-tone blue and a half-tone yellow. Fig. 272 is composed of a light red and a half-tone olive — an excellent combination.

Plate 37.—Fig. 273 is composed of olive and a half-tone rose-lake. Fig. 274 is composed of a dark tone of red and a dark tone of yellow—a good combination. Fig. 275 is composed of a light brown and a half-tone blue. Fig. 276 is composed of purple and light green—a very good combination. Fig. 277 is composed