Page:The collected works of Henrik Ibsen (Volume 5).djvu/23

Rh For the scene in the Catacombs at Vienne there is nothing that can fairly be called a historic basis. It is true that, after assuming the purple, Julian did at one time endanger his position by shutting himself away from his soldiery; it is true, or at least it is related, that Julian "brought from Greece into Gaul the high priest of the mysteries—the Hierophant, as he was called [not Maximus]—and did not decide to rebel until he had, with the greatest secrecy, accomplished the prescribed sacred rites." There is also a vague, and probably mythical, report of his having gone through some barbarous ceremony of purification, in order to wipe out the stain of his baptism. On such slight suggestions did Ibsen build up the elaborate fabric of his fifth act. The character of Sallust, like that of Oribases, is historical: but of any approach to double-dealing on the part of the excellent Sallust there is no hint. As there is no foundation for the infidelity of the living Helena, so there is no foundation for the part played by Helena dead in determining Julian's apostasy.

While Ibsen invents, however, he does not falsify; it is when he ceases to invent (paradoxically enough) that falsification sets in. In all essentials, this first play

Fourthly, like the earlier Emperors, he deemed Christianity anti-social, and the Christian potentially and probably, if not actually, a bad citizen of the Empire. Fifthly, he hated the aggressive intolerance of Christianity, its inability to live and let live, its polemical paroxysms, and iconoclastic frenzies These were the main elements in his anti-Christianity; and yet they are not, taken together, quite sufficient to account for the measureless scorn with which he invariably speaks of 'Galileans.' One cannot but feel that Christianity must have done him some personal injury, not clearly known to us. Was he simply humiliated by the hypocrisy he had had to practise in his boyhood and youth? Or was Ibsen right in divining some painful mystery behind his certainly unsatisfactory relations with his Christian consort, Helena?"]
 * [Footnote: of the divine from Nature, leaving it inanimate and chilly.