Page:The collected works of Henrik Ibsen (Heinemann Volume 4).djvu/37

 Peer Gynt remain untranslated than see it rendered in prose. After a good deal of reflection and experiment, we finally suggested to him a middle course between prose and rhyme: a translation as nearly as possible in the metres of the original, but with the rhymes suppressed. To this compromise he assented, and the following pages are the result.

We had no precedent—within our knowledge, at any rate—to guide us, and were forced to lay down our own laws. Even at the risk of falling between two stools, we proposed to ourselves a dual purpose. We sought to produce a translation which should convey to the general reader some faint conception of the movement and colour, the wit and pathos, of the original, and at the same time a transcript which should serve the student as a "crib" to the Norwegian text. This, then, the reader must be good enough to bear in mind: that the following version is designed to facilitate, not to supersede, the study of the original. But, apart from our desire to provide a "crib" to Peer Gynt, we felt that, in taking the liberty of suppressing the rhymes, we abjured our right to any other liberty whatsoever. A rhymed paraphrase of a great poem may have a beauty of its own; an unrhymed version must be no paraphrase, but a faithful transcript, else "the ripple of laughing rhyme" has been sacrificed in vain. Our fundamental principle then, has been to represent the original line for line; and to this principle we have adhered with the utmost fidelity. There are probably not fifty cases in the whole poem in which a word has been transferred from one line to another, and then only some pronoun or auxiliary verb. It is needless to say that in adhering to this principle we have often had to resist temptation. Many cases presented themselves in which