Page:The collected works of Henrik Ibsen (Heinemann Volume 2).djvu/16

 note that while Ibsen was writing The Vikings Björnson was writing his peasant-idyll Synnöve Solbakken; so that these two corner-stones of modern Norwegian literature were laid, to all intents and purposes, simultaneously.

In an autobiographic letter to Peter Hansen, written in 1870, Ibsen mentions this play very briefly: "The Vikings at Helgeland I wrote whilst I was engaged to be married. For Hiördis I had the same model as I took afterwards for Svanhild in Love's Comedy." More noteworthy is his preface to a German translation of the play, published in 1876. It runs as follows:

"In issuing a German translation of one of my earlier dramatic works, it may not be superfluous to remark that I have taken the material of this play, not from the Nibelungenlied, but in part—and in part only—from a kindred Scandinavian source, the Volsung-Saga. More essentially, however, my poem may be said to be founded upon the various Icelandic family-sagas, in which it often seems that the titanic conditions and occurrences of the Nibelungenlied and the Volsung-Saga have simply been reduced to human dimensions. Hence I think we may conclude that the situations and events depicted in these two documents were typically characteristic of our common Germanic life in the earliest historical times. If this view be justified, it disposes of the reproach that in the present drama our national mythic world is brought down to a lower plane than that to which it belongs. The idealised, and in some degree impersonal, myth-figures are exceedingly ill-adapted for representation on the stage of to-day; and, however this may be, it was not my aim to present our mythic world, but simply our life in primitive times."