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200 manner. As for whistling, there was hardly a boy in the street but was studying that accomplishment, though none of them could yet come within a mile of Jason Andcut. His was indeed "a soft and solemn-breathing sound," as unlike the ear-piercing notes which most pairs of puckered lips gave forth as the luscious fruit of his own early pear tree ("Andcut's pears," we always called them) was unlike certain harsh and crabbed things that looked like pears, to be sure, but tied your mouth up in a hard knot if, in a fit of boyish hunger, you were ever rash enough to set your teeth in one. The good man! I should love to hear his whistle now; I believe I should like it almost as well as Mr. Longy's oboe; but the last of those magical improvisations was long ago finished. I have heard good whistling since (not often, but I have heard it, both professional and amateur), but nothing to match that soliloquistic pianissimo, which I stole close to the man's elbow to get my fill of. Was the prosperity of the music partly in the boyish ear that heard it?

That corner-grocery gathering was one