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 and chained down to the floor of the cabin occupied by the men, which was in the forward hold. As it was known by Madison's purchasers that he had once escaped and had been in Canada, they kept a watchful eye over him. The two cabins were separated, so that the men and women had no communication whatever during the passage.

Although rather gloomy at times, Madison on this occasion seemed very cheerful, and his owners thought that he had repented of the experience he had undergone as a runaway, and in the future would prove a more easily governed chattel. But from the first hour that he had entered the cabin of the Creole, Madison had been busily engaged in the selection of men who were to act parts in the great drama. He picked out each one as if by intuition. Every thing was done at night and in the dark, as far as the preparation was concerned. The miniature saws and files were faithfully used when the whites were asleep.

In the other cabin, among the slave women, was one whose beauty at once attracted attention. Though not tall, she yet had a majestic figure. Her well-moulded shoulders, prominent bust, black hair which hung in ringlets, mild blue eyes, finely-chiselled mouth, with a splendid set of teeth, a turned and well-rounded chin, skin marbled with the animation of life, and veined by blood given to her by her master, she stood as the representative of two races. With only one eighth of African, she was what is called at the south an "octoroon." It was said that her grandfather had served his country in the revolutionary war, as well as in both houses of Congress. This was Susan, the wife of Madison. Few slaves, even among the best used