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 engravings, then replace it upon the dusty shelf, feeling an inward gratification, that, instead of satisfying the inclination, only gave him fresh zeal to hunt for new models. By the great variety of drawings which he had made on paper, and the correct sketches taken, young Bannister gained considerable reputation in the lawyer's family, as well as in the neighborhood. Often, after the household had retired at night, the dim glimmer from the lean tallow candle was seen through the attic chamber window. It was there that the genius of the embryo artist was struggling for development. Nearly every wall in the dwelling had designs or faces pencilled upon it, and many were the complaints that the women made against the lad. At last he turned his steps towards Boston, with the hope that he might get a situation with a painter, never dreaming that his color would be a barrier to the accomplishment of such an object. Weeks were spent by the friendless, homeless, and penniless young man, and every artist had seen his face and heard his wish to become a painter. But visiting these establishments brought nothing to sustain nature, and Mr. Bannister took up the business of a hair-dresser, merely as a means of getting bread, but determined to leave it as soon as an opening presented itself with an artist. The canvas, the paint, the easel, and the pallet were brought in, and the hair-dressing saloon was turned into a studio.

There is a great diversity of opinion with regard to genius, many mistaking talent for genius. Talent is strength and subtilty of mind; genius is mental inspiration and delicacy of feeling. Talent possesses vigor and acuteness of penetration, but is surpassed by the