Page:The black man - his antecedents, his genius, and his achievements (IA blackmanantecede00browrich).pdf/209

 *ton, distinguished for his good judgment in the picture gallery, wishing to secure a likeness of Hon. Charles Sumner, induced the senator to sit to Mr. Simpson for the portrait; and in this instance the artist has been signally successful.

His likenesses have been so correct, that he has often been employed to paint whole families, where only one had been bargained for in the commencement. He is considered unapproachable in taking juvenile faces. Mr. Simpson does not aspire to any thing in his art beyond portrait painting. Nevertheless, a beautiful fancy sketch, hanging in his studio, representing summer, exhibits marked ability and consummate genius. The wreath upon the head, with different kinds of grain interwoven, and the nicety of coloring in each particular kind, causes those who view it to regard him as master of his profession. Portraits of his execution are scattered over most of the Northern States and the Canadas. Some have gone to Liberia, Hayti, and California.

Mr. Simpson is a native of Buffalo, New York, where he received a liberal education. But even in school, his early inclination to draw likenesses materially interfered with his studies. The propensity to use his slate and pencil in scratching down his schoolmates, instead of doing his sums in arithmetic, often gained him severe punishment. After leaving school, he was employed as errand boy by Matthew Wilson, Esq., the distinguished artist, who soon discovered young Simpson's genius, and took him as an apprentice. In 1854, they removed to Boston, where Mr. Simpson labored diligently to acquire a thorough knowledge of the profession. Mr. Wilson stated to the writer, that he