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 their people from the never-ceasing charge of fitness for servile positions." In the "Autographs for Freedom," from which the above extract is taken, Professor Reason has a beautiful poem, entitled "Hope and Confidence," which, in point of originality and nicety of composition, will give it a place with the best productions of Wordsworth.

A poem signifies design, method, harmony, and therefore consistency of parts. A man may be gifted with the most vividly ideal nature; he may shoot from his brain some blazing poetic thought or imagery, which may arouse wonder and admiration, as a comet does; and yet he may have no constructiveness, without which the materials of poetry are only so many glittering fractions. A poem can never be tested by its length or brevity, but by the adaptation of its parts. A complete poem is the architecture of thought and language. It requires artistic skill to chisel rough blocks of marble into as many individual forms of beauty; but not only skill, but genius, is needed to arrange and harmonize those forms into the completeness of a Parthenon. A grave popular error, and one destructive of personal usefulness, and obstructive to literary progress, is the free-and-easy belief that because a man has the faculty of investing common things with uncommon ideas, therefore he can write a poem.

The idea of poetry is to give pleasurable emotions, and the world listens to a poet's voice as it listens to the singing of a summer bird; that which is the most suggestive of freedom and eloquence being the most admired. Professor Reason has both the genius and the artistic skill. We regret that we are able to