Page:The art of story-telling, with nearly half a hundred stories, y Julia Darrow Cowles .. (IA artofstorytellin00cowl).pdf/42

 was once a shepherd boy who called 'Wolf,'" or "The Sun and the Wind once had a quarrel."

Of course the time may, on the other hand, be very definite—"'Twas the night before Christmas"—but in either case the story starts out positively, the place or time is assigned, the subject of the story is introduced. Then you will see the children, their expectation aroused, settle themselves for the delightful developments which are to be unfolded, for the denouement which is sure to follow, and their eager faces are all the incentive needed to arouse the story-teller to her best endeavor.

The story, properly introduced, should move forward clearly, somewhat concisely, toward a well-defined end or climax. The form should be mainly narrative or conversational, with vivid touches of description never prolonged. There should be life, action, dramatic action, but very little of explanation. The incidents of the story should be so arranged as to be self-explanatory in their sequence.

For small children, repetition has a special charm—repetition such as is to be found in