Page:The art of controversy and other posthumous papers (IA artofcontroversy00schouoft).pdf/121

 ledge, and has his pleasure in it, and reveals it by rendering what he knows in his art. In the hierarchy of physical organisation, strength of will is attended by a corresponding growth in the intelligent faculties. A high degree of knowledge, such as exists in the genius, presupposes a powerful will, though, at the same time, a will that is subordinate to the intellect. In other words, both the intellect and the will are strong, but the intellect is the stronger of the two. Unless, as happens in the ease of the saint, the intellect is at once applied to the will, or, as in the case of the artist, it finds its pleasures in a reproduction of itself, the will remains untamed. Any strength that it may lose is due to the predominance of the pure objective intelligence which is concerned with the contemplation of ideas, and is not, as in the case of the common or the bad man, wholly occupied with the objects of the will. In the interval, when the genius is no longer engaged in the contemplation of ideas, and his intelligence is again applied to the will and its objects, the will is re-awakened in all its strength. Thus it is that men of genius often have very violent desires, and are addicted to sensual pleasure and to anger. Great crimes, however, they do not commit: because, when the opportunity of them offers, they recognise their idea, and see it very vividly and clearly. Their intelligence is thus directed to the idea, and so gains the predominance over the will, and turns its course, as with the saint; and the crime is uncommitted.

The genius, then, always participates to some degree in the characteristic of the saint, as he is a