Page:The age of Justinian and Theodora (Volume 1).djvu/131

 The Byzantine theatre, in which there are usually diurnal performances, is by no means a lineal descendant of that of the Greeks and Romans. The names of Aeschylus, Sophocles, and the rest of those inimitable playwrights, are either altogether unknown, or are heard with complete indifference. Pantomime, farce, lewd songs, and dances in which troops of females virtually dispense with clothing, monopolize the stage to the exclusion of the classic drama. Ribaldry and obscenity, set off by spectacular displays, constitute the essence of the entertainment; and women even go through the form of bathing in a state of nudity for the delectation of the audience. A contemporary music-hall, without its enforced decency, would probably convey to a modern reader the most correct impression of the stage as maintained in Christian Constantinople. Actress and prostitute are synonymous terms, and all persons engaged in the theatrical profession are regarded in the eye of the law as vile and