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 approved when they found that at these entertainments great ladies and courtesans brushed beautiful shoulders in utmost familiarity, but those who delighted in the high charm of society doubtless shook their heads. We need not, however, find it a flaw in George's social bearing that he did not check this kind of freedom. At the first, as a young man full of life, of course he took everything as it came, joyfully. No one knew better than he did, in later life, that there is a time for laughing with great ladies and a time for laughing with courtesans. But as yet it was not possible for him to exert influence. How great that influence became I will indicate later on.

I like to think of him as he was at this period, charging about, in pursuit of pleasure, like a young bull. The splendid taste for building had not yet come to him. His father would not hear of him patronising the turf. But already he was implected with a passion for dress, and seems to have erred somewhat on the side of dressing up, as is the way of young men. It is fearful to think of him, as Cyrus Redding saw him, "arrayed in deep-brown velvet, silver embroidered, with cut-steel buttons, and a gold net thrown over all." Before that "gold net thrown over all," all the mistakes of his after-life seem to me to grow almost insignificant. Time, however, toned his too florid sense of costume, and we should at any rate be thankful that his imagination never deserted him. All the delightful munditis? that we find in the contemporary "fashion-plates for gentlemen" can be traced to George himself. His were the much-approved "quadruple stock of great dimension," the "cocked grey-beaver," the pantaloons of mauve silk "negligently crinkled" and any number of other little pomps and foibles of the kind. As he grew older and was obliged to abandon many of his more vigorous pastimes, he grew more and more enamoured of the pleasures of the wardrobe. He would