Page:The World as Will and Idea - Schopenhauer, tr. Haldane and Kemp - Volume 3.djvu/89

Rh seldom and always at a different place, they must sublate themselves again, like dissonances in music which are again resolved into harmony. By means of such considerations we recognise a design and perfection, such as could only have been brought about by the freest absolute will directed by the most penetrating understanding and the most acute calculation. And yet, under the guidance of that cosmogony of Laplace, so well thought out and so accurately calculated, we cannot prevent ourselves from seeing that perfectly blind forces of nature, acting according to unalterable natural laws, through their conflict and aimless play among themselves, could produce nothing else but this very framework of the world, which is equal to the work of an extraordinarily enhanced power of combination. Instead now, after the manner of Anaxagoras, of dragging in the aid of an intelligence known to us only from animal nature, and adapted only to its aims, an intelligence which, coming from without, cunningly made use of the existing forces of nature and their laws in order to carry out its ends, which are foreign to these, – we recognise in these lowest forces of nature themselves that same, one will, which indeed first manifests itself in them, and already in this manifestation striving after its goal, through its original laws themselves works towards its final end, to which therefore all that happens according to blind laws of nature must minister and correspond. And this indeed cannot be otherwise, because everything material is nothing but just the phenomenal appearance, the visibility, the objectivity of the will to live which is one. Thus even the lowest forces of nature themselves are animated by that same will, which afterwards, in the individual beings provided with intelligence, marvels at its own work, as the somnambulist wonders in the morning at what he has done in his sleep; or, more accurately, which is astonished at its own form which it beholds in the mirror. This unity which is here proved of the accidental with the intentional, of the necessary with the free,