Page:The Works of J. W. von Goethe, Volume 4.djvu/363

Rh books, collections of art and natural curiosities, and whatever else might have most interested him. Everything was arranged with taste, simply, and in such a manner that the little space held a great deal. The furniture, presses, and portfolios were elegant, without affectation or superfluity. Thus also the first thing which he recommended to us, and to which he always recurred, was simplicity in everything that art and manual labour united are called upon to produce. Being a sworn foe to the scroll-and-shell style, and of the whole taste for quaintness, he showed us in copperplates and drawings old patterns of the sort, contrasted with better decorations and simpler forms of furniture, as well as with other appurtenances of a room; and, because everything about him corresponded with these maxims, his words and instructions made a good and lasting impression on us. Besides this, he had an opportunity to let us see his opinions in practice; since he stood in good consideration, both with private and with official persons, and was asked for advice when there were new buildings and alterations. He seemed in general to be more fond of preparing things on occasion, for a certain end and use, than of undertaking and completing such as exist for themselves and require a greater perfection; he was therefore always ready and at hand when the publishers needed larger and smaller copperplates for any work; thus the vignettes to Winckelmann's first writings were etched by him. But he often made only very sketchy drawings, to which Geyser knew very well how to adapt himself. His figures had throughout something general, not to say ideal. His women were pleasing and agreeable, his children naïve enough; only he could not succeed with the men, who, in his spirited but always clouded, and at the same time foreshortening, manner, had for the most part the look of Lazzaroni. Since he designed his composition less with regard to