Page:The Works of J. W. von Goethe, Volume 12.djvu/361

Rh to continue it. In this climate I don't think it possible: however, something of the air of this heaven may, perhaps, be imparted to the closing books. May my existence only unfold itself sufficiently to lengthen the stem, and to produce richer and finer flowers! Certainly it were better for me never to have come here at all, then to go away unregenerated.

Yesterday we saw a picture of Correggio's, which is for sale. It is not, indeed, in very good preservation: however, it still retains the happiest stamp of all the peculiar charms of this painter. It represents a Madonna, with the infant hesitating between the breast and some pears which an angel is offering it: the subject, therefore, is the weaning of Christ. To me the idea appears extremely tender; the composition easy and natural, and happily and charmingly executed. It immediately reminded me of the Vow of St. Catherine; and, in my opinion, the painting is unquestionably from the hand of Correggio.

The terms of my engagement with Kniep are now settled, and it has commenced in a right practical way. We went together to Pæstum, where, and also on our journey thither and back, he showed the greatest industry with his pencil. He has made some of the most glorious outlines. He seems to relish this moving but busy sort of life, which has called forth a talent he was scarcely conscious of. This comes of being resolute, but it is exactly here that his accurate and nice skill shows itself. He never stops to surround the paper on which he is about to draw, with the usual rectangular hues: however, he seems to take as much pleasure in cutting points to his pencil, which is of the best English lead, as in drawing itself. Thus his outlines are just what one would wish them to be.