Page:The Works of J. W. von Goethe, Volume 12.djvu/240

226 envelopes the dignified frame of a bishop. With a massive pastoral staff in his left hand, he is gazing with a look of rapture toward heaven, while he holds in his right a book, out of which he seems to have imbibed the divine enthusiasm with which he is inspired. Behind him a beautiful maiden, holding a palm-branch in her hand, and full of affectionate sympathy, is looking over his shoulder into the open book. A grave old man on the right stands quite close to the book, but appears to pay no attention to it. The key in his hand suggests the possibility of his familiar acquaintance with its contents. Over against this group, a naked, well-made youth, wounded with an arrow, and in chains, is looking straight before him, with a slight expression of resignation in his countenance. In the intermediate space stand two monks, bearing a cross and lilies, and devoutly looking up to heaven. Then in the clear upper space is a semicircular wall, which encloses them all. Above moves a Madonna in highest glory, sympathising with all that passes below. The young, sprightly child on her bosom, with a radiant countenance, is holding out a crown, and seems, indeed, on the point of casting it down. On both sides, angels are floating by, who hold in their hands crowns in abundance. High above all the figures, and even the triple-rayed aureola, soars the celestial dove, as at once the centre and finish of the whole group.

We said to ourselves, "Some ancient holy legend must have furnished the subject of this picture in order that these various and ill-assorted personages should have been brought together so artistically and so significantly." We ask not, however, why and wherefore: we take it all for granted, and only wonder at the inestimable piece of art. Less unintelligible, but still mysterious, is a fresco of Guido's in this chapel. A virgin, in childish beauty, loveliness, and innocence, is seated, and quietly sewing. Two angels stand by her