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 stories fluctuated indefinitely. The smoking of a cigarette converted Hoopdriver's hero into something entirely worldly, subtly rakish, with a humorous twinkle in the eye and some gallant sinning in the background. You should have seen Mr. Hoopdriver promenading the brilliant gardens at Earl's Court on an early-closing night. His meaning glances! (I dare not give the meaning.) Such an influence as the eloquence of a revivalist preacher would suffice to divert the story into absolutely different channels, make him a white-souled hero, a man still pure, walking untainted and brave and helpful through miry ways. The appearance of some daintily gloved frock-coated gentleman with buttonhole and eyeglass complete, gallantly attendant in the rear of customers, served again to start visions of a simplicity essentially Cromwell-like, of sturdy plainness, of a strong, silent man going righteously through the world. This day there had predominated a fine leisurely person immaculately clothed, and riding on an unexceptional machine, a mysterious person—quite unostentatious, but with accidental self-revelation of something over the common, even a "bloomin' Dook," it might be incognito, on the tour of the South Coast.

You must not think that there was any telling of these stories of this life-long series by Mr. Hoopdriver. He never dreamt that they were known to a soul. If it were not for the trouble, I would, I think, go back and rewrite this section from the beginning, expunging the statements that Hoopdriver was a poet and a romancer, and saying instead that he was a playwright and acted his own plays. He