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130 far cry from the wooden Apollo of Daedalus to the classical Apollo Belvedere. Still greater a distance separates the youthful Christ of the Catacombs from the ascetic Christ of our cathedrals. This personage of the Christian mythology perplexes one by the number and variety of his metamorphoses. The flamboyant Christ of St. Paul is followed, as early as the second century, by the Christ of the Synoptic Gospels, a poor Jew, vaguely communistic, who becomes, with the Fourth Gospel, a sort of young Alexandrine, a milk-and-water disciple of the Gnostics. At a later period, if we only take into account the Roman Christs and tarry merely with the most famed of them, we have had the dominating Christ of Gregory VII., the bloodthirsty Christ of St. Dominic, the mob-leading Christ of Julius II., the atheistic and artistic Christ of Leo X., the indeterminate and insipid Christ of the Jesuits, Christ the protector of the factory, the defender of capital and the opponent of Socialism, who flourished under the pontificate of Leo XIII., and who still reigns. All those Christs, who have but the name in common, were not foreseen by Paul. In reality, he knew no more than Gallio about the future god."

"You exaggerate," remarked M. Goubin, who disliked exaggeration in whatever form.

Giacomo Boni, who venerates the sacred books of